I was recently telling someone about how the great Sidney Lumet said he had used long shots and closeups in a couple of his films — “Twelve Angry Men” and “The Verdict” — to produce a desired emotional response in … Continue reading
I was recently telling someone about how the great Sidney Lumet said he had used long shots and closeups in a couple of his films — “Twelve Angry Men” and “The Verdict” — to produce a desired emotional response in … Continue reading